Title: Pratique / Instrument / Ocarina / Transverse / Dexterity / Daily Exercice

Index: 1
Page: Vol 1

Index: 2
Page: Vol 1

Index: 3
Page: Vol 1

Index: 4
Page: Vol 1

Index: 5
Page: Vol 1

Index: 6
Page: Vol 1

Index: 7
Page: Vol 1

Index: 8
Page: Vol 1

Index: 9
Page: Vol 1

Index: 10
Page: Vol 1

Index: 11
Page: Vol 1

Index: 12
Page: Vol 1

Index: 13
Page: Vol 1

Index: 14
Page: Vol 1

Index: 1
Page: Vol 2

Index: 2
Page: Vol 2

Index: 3
Page: Vol 2

Index: 4
Page: Vol 2

Index: 5
Page: Vol 2

Index: 6
Page: Vol 2

Index: 7
Page: Vol 2

Index: Finger Exercise for High D
Page: Vol 2

Index: Finger Exercise for High E
Page: Vol 2

Index: Finger Exercise for High F
Page: Vol 2

Index: Finger Exercise for Low B
Page: Vol 2

Index: Daily Exercise #1
Page: Vol 2

Index: Daily Exercise #2
Page: Vol 2

Index: Daily Exercise #3
Page: Vol 2

Index: Daily Exercise #4
Page: Vol 2

Index: Daily Exercise #5
Page: Vol 2

Index: Daily Exercise #6
Page: Vol 2

Index: Daily Exercise #7
Page: Vol 2

Index: 1
Page: Vol 3

Index: 2
Page: Vol 3

Index: 3
Page: Vol 3

Index: 4
Page: Vol 3

Index: 5
Page: Vol 3

Index: 6
Page: Vol 3

Index: 7
Page: Vol 3

Index: 8
Page: Vol 3

Index: 9
Page: Vol 3

Index: 10
Page: Vol 3

Index: 11
Page: Vol 3

Index: 12
Page: Vol 3

Index: 13
Page: Vol 3

Index: 14
Page: Vol 3

Index: 15
Page: Vol 3

Index: 16
Page: Vol 3

Index: 17
Page: Vol 3

Index: 18
Page: Vol 3

Index: 19
Page: Vol 3
Name: adapted from Charles Nicholson (1795-1837)

Index: 19
Page: Vol 3
Name: adapted from C. Nicholson

Index: 21
Page: Vol 3
Name: Les Toreadors, George Bizet

Index: 22
Page: Vol 3
Name: William Tell, Rossini

Index: 23
Page: Vol 3

Index: 24a
Page: Vol 3

Index: 24b
Page: Vol 3
Name: Irish Washerwoman, traditional

Index: 25
Page: Vol 3
Name: Adapted from Vivaldi's Sonata No. 1 "Giga"

Index: 1
Page: Vol 4, for double ocarina
Name: Whole and Half Steps
Playing A to B in the second chamber of the double ocarina is challenging because the same finger is used on the same finger hole for both notes. Try not to move or slide your entire first finger for this transition, but instead try to rock the very tip of your finger back and forth.

Index: 2
Page: Vol 4, for double ocarina
Name: Whole and Half Steps with Rhythmic Variations

Index: 3
Page: Vol 4, for double ocarina
Name: Three-note Scale Patterns

Index: 4
Page: Vol 4, for double ocarina
Name: Extended Scale Patterns

Index: 5
Page: Vol 4, for double ocarina
Name: Patterns with the addition of F#

Index: 6
Page: Vol 4, for double ocarina
Name: Intervals of a Third

Index: 7
Page: Vol 4, for double ocarina
Name: Variations on Intervals of a third

Index: 8
Page: Vol 4, for double ocarina
Name: Epanding intervals

Index: 9
Page: Vol 4, for double ocarina
Name: Epanding intervals

Index: 10
Page: Vol 4, for double ocarina

Index: 11
Page: Vol 4, for double ocarina

Index: 12
Page: Vol 4, for double ocarina

Index: 13
Page: Vol 4, for double ocarina

Index: 14
Page: Vol 4, for double ocarina

Index: 15
Page: Vol 4, for double ocarina

Index: Warm-up Exercice #1
Page: Vol 5, for double ocarina
Name: Switching between chambers
Play slowly and focus on smooth and efficient movement between chambers.

Index: Warm-up Exercice #2
Page: Vol 5, for double ocarina
Name: Expanding scales while switching between chambers

Index: Daily Exercice #1
Page: Vol 5, for double ocarina

Index: Daily Exercice #2
Page: Vol 5, for double ocarina

Index: Daily Exercice #3
Page: Vol 5, for double ocarina

Index: Daily Exercice #4
Page: Vol 5, for double ocarina

Index: Daily Exercice #5
Page: Vol 5, for double ocarina

Index: Daily Exercice #6
Page: Vol 5, for double ocarina

Index: Daily Exercice #7
Page: Vol 5, for double ocarina

Index: Daily Exercice #8
Page: Vol 5, for double ocarina

Index: Daily Exercice #9
Page: Vol 5, for double ocarina

Index: Daily Exercice #10
Page: Vol 5, for double ocarina

Index: Daily Exercice #11
Page: Vol 5, for double ocarina

Index: Daily Exercice #12
Page: Vol 5, for double ocarina

Index: Daily Exercice #13
Page: Vol 5, for double ocarina

Index: Daily Exercice #14
Page: Vol 5, for double ocarina

Index: Daily Exercice #15
Page: Vol 5, for double ocarina

Index: Singing Sound Exercice 1a
Page: Vol 6, for double ocarina

Index: Singing Sound Exercice 1b
Page: Vol 6, for double ocarina

Index: Singing Sound Exercice 2
Page: Vol 6, for double ocarina
Name: Continue in the same manner as Exercise 1, paying special attention to the quality of sound of
the notes with accidentals.

Index: Singing Sound Exercice 3
Page: Vol 6, for double ocarina
Name: Ascending major triads
Resonant, relaxed, shimmering sound.
Open throat, relaxed shoulders.'

Index: Singing Sound Exercice 4
Page: Vol 6, for double ocarina
Name: Descending minor triads
Resonant, relaxed, shimmering sound.
Open throat, relaxed shoulders.'

Index: Singing Sound Exercice 5
Page: Vol 6, for double ocarina
Name: Descending diatonic intervals
Remember, the goal of this exercise is to create a consistent tone throughout the
entire range of the ocarina. Isolate the difficult measures and practice those first.

Index: Singing Sound Exercice 6
Page: Vol 6, for double ocarina
Name: Mixed diatonic intervals

Index: Singing Sound Exercice 7
Page: Vol 6, for double ocarina
Name: From "The swan" by Camille Saint-Saëns
The melody of “The Swan" combines the intervallic and step-wise motion studied in Singing Sound Exercises 1 -6. Work towards a smooth legato sound with a resonant and even tone from the lowest to the highest notes

Index: Singing Sound Exercice 8
Page: Vol 6, for double ocarina
Name: From "Pavane" by Gabriel Fauré

Index: Singing Sound Exercice 9
Page: Vol 6, for double ocarina
Name: From "Symphony No. 9" by Antonin Dvorak

Index: Singing Sound Exercice 10
Page: Vol 6, for double ocarina
Name: From "La fille aux cheveux de lin" by Claude Debussy

All: TODO
Index: intonation exercice
Page: Vol 6, for double ocarina